**Khawvela hla phuahtu hmasa ber chu tu nge ni?** Thuhmahruai: Music hi mihring civilization-a mihring civilization-a thil pawimawh tak a ni a, hun kal tawha hla sak a ni a, music-a thil pawimawh ber pakhat chu kum zabi tam tak chhunga khawvel puma mipuiin an hlim theihna tur art form ngaihhlut tak a nih theih nan a lo thang chho zel a, khawvela hla phuahtu hmasa ber chu a awm reng ang tih zawhna a lo piang chhuak a, chu chu hla phuahtu zingah chuan he hla hlui hi a lo chhuahna tur a ni. Vocal expression hmasa ber, hun hrang hranga hla phuah thiam langsar tak takte chu a tarlang a, a tawpah chuan khawvela hla phuahtu hmasa ber anga hriat theih tur zawhna elusive tak chu a sawifiah a ni. Hla thu hmasa ber: Hla thu hi ziak tawng lo chhuah hma daih tawh khan a awm tawh nia rin a ni. **Archaeological findings** Kan pi leh pute hian vocalization hrang hrang, early forms, leh melodices te, melodic te, melodic te, melodic te, melodic te, melodic te hi an ni tih a tilang a ni. Mihring nunphung, inkhawmpui, leh khawtlang inpawhnate nena inzawm{. Entirnan, hmân lai tribal community-ah chuan, hla sak hian sakhaw thiltih, thawnthu sawinaah, leh culture heritage humhalhna kawngah hmun pawimawh tak a chang a ni. Chu bâkah, hla sak hmasak chuan tunlai hla sakna aiin thiltum danglam tak a nei thei a ni tih hriat a pawimawh a ni{{8} THE THE them less refined ai aimed, almost more in more Primal instincts, leh communicate basic needs. Hmanlai hla phuahtu leh vocal traditions: Mihring civilization lo chhuak leh lo thanglian zel a nih chuan, hla sak dan tur dik zawk leh nuanced zawk a ni. Khawvel pumah hmân lai hla phuahtu leh vocal tradition-te finfiahna kan hmu thei ang. **Indian classical musical musical musics its its its its its its oldest Surviving vocal musics its its its its its its Origins Back to the Vedas, hmân lai thil thianghlim thuziak, kum 1500 vêla thuziak thianghlim. Rigveda-ah hian, hla thu chi hrang hranga phuah hlate a awm a, ziaka hla sak hmasak ber zinga mi nia ngaih a ni. **Ancient Greek leh Roman singles* Choral singing, Lyre. Greek hla phuah thiam lar tak tak ang chi instrument-te nen a zui fo thin Sappho pawh an tel a, a hla thu hmanga hriat lar tak Sappho, leh Terpander-a te pawh an tel a, chutiang bawkin Sparta{{19}-te hnena stringed seven-stringed-a inhmelhriattirtu nia sawi a ni bawk a, chutiang bawkin, Roman vocal music chu social gatherings, the theatrical performances, leh religious ceremonies-ah te a lar hle a, chu chu China-ah a awm bawk a ni. A bik takin Tang Dynasty (618-907 CE). Imperial Court-a hla sak lai khan vocal traditions history hautak tak a awm a, chu chu ngaihsan a hlawh hle a, hla phuah thiamte chu zah an hlawh hle. Court hla phuah thiam lar tak Gao Jichang chu a danglam bikna leh note tam tak a sak theihna tur a nih avangin hriatreng a ni ang{/24} *** Troubadours te, chivalry, courtly love, leh subject dangte chungchang hla sa thin troubadours te, poet-musicians te an lo chhuah dan te. troubadours te hian hla thehdarh leh Europe rama musical development te nghawngtuah hmun pawimawh tak an chang a ni. **Sakhaw hla phuahtute**: history kal zelah hian sakhaw pawl hrang hrang, sakhaw pawl hrang hrangte chu sakhaw pawl hrang hrangin an pui a ni{{28} CHIAM CHU CHU CHU THE THE THE GRIATITHERITY CHU SIGRIANITY CHU CHU THE THE THE GRIATITHERIATION Muezzins in Islam, chuan biak leh sakhaw thiltih danah hmun pawimawh tak tak a chang. Vocal technique leh thil thar chhuah: Kum zabi tam tak a liam zel a, vocal technique leh thil thar siamte chuan hla sak thiamna a siam dan. culture leh music tradition hrang hrangte chuan an hla sak dan danglam bik. **Noteworthy Achievates leh Techniques*-ah te hian an tel a, chungte chu: **BEL CANOTOD 1: Tone, agility, leh vocal performance-a lang mawina mawi tak takte inzawmkhawmna. Maria Callas-a ang hla phuahtu Castrati Fanelli leh soprano-te chuan he technique hi prominence-ah an rawn keng tel a ni. **YOdeling**: yodeling, a vocal technique characterized by rapid switches between chest and head voice, has its roots in the mountainous regions of Europe{{35} SWAS, A Unique Is SWAS IS IS IS IS AUSTRI leh Bavarian folk music. **throat singing**: throat singing, overtone singing tia hriat pawh hi mimal tinte’n pitch tam tak a ruala an siam chhuahna hmanraw mak tak a ni. He vocal technique danglam tak hi central Asia atanga lo chhuak, nomadic community zingah a lo chhuak a, tun thlenga Tuva leh Mongolia ang chi region-ah te a la practice reng a ni{{38} First Singer-ah hian singer-ah hian a awm a ni. was chu aw chhuah dan hrang hrang leh hla sakna bul tanna hmasa ber kan chhui chhuah lai hian a harsa zual zel a ni. He zawhna hi **He zawhnaah hian chhanna mumal tak a awm lo** tih hi hriat a pawimawh{. Singing chu mihring nunphung pianpui aspect angin a lo thang chho ta a, society leh hunlai hrang hranga form hrang hranga insiamrem leh hmasawn zel a ni{{42} Singer pakhatna chu a famkimin kan hmu thei lo a, chu chu absolute singer a ni a, chu chu a ni a, chu chu a ni a, ani hi a ni a, ani hi a ni a, ani hi a ni a, ani hi a ni a, ani hi a ni a, ani hi a ni a, chu chu a ni a, ani hi a ni a, ani hi a ni a, ani hi a ni a, chu chu a ni, ani chuan a famkimin, singer-te chu a ni a, chu chu a ni, it absolute singer who that the absolute singer was save sho that the it that the IT as saved Instinctively used vocalizations to》emotions, in communicate with fellows, and in engages in communal activities. hla sak, a hmasa ber angin, civilization din leh historical events recording hmasa ber a ni. chu chu natural leh universal means of human expression angin a lo lang chhuak a ni.: Singsing, with its diverse traditions and ever ever humanity, has has capatet, has has capatet, has has capatet weas through times humanity Khawvela hla phuahtu hmasa ber chu kan hmu chiang hle a, hla sak hi mihring tawnhriat pum huap thil tawn anga awm reng a nihzia kan hre reng a ni. Tun thleng hian hla phuahtute chuan an hla thluk hmangin min tithinur chhunzawm zel a, kan hun kal tawha lo piang tawh, hun kal tawha thil awm tawh lo (timeless tradition) an kalpui zel a ni.